Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.

A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently faced censorship through the Polish Communist regime of this belated ’70s and very very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential tales, absurdist parables, or premonitions about modern society’s hostility plus the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him generate shockingly iconoclastic technology fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been hardly ever seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.

Among the biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand brand new electronic restorations and brought in movie images. The show showcases every one of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War regarding the Worlds: Next Century, a reimagining associated with the H.G. Wells novel and an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the residual survivors of a nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Also, the retrospective will emphasize Szulkin’s film that is short, such as the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .

Presented in collaboration aided by the Polish Cultural Institute ny.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save utilizing the purchase of three seats or maybe more.

Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird

FILMS & DESCRIPTIONS All tests happen in the Walter Reade Theater (165 western Street that is 65th otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate fulfillment, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a set of shockingly randy puppets—as it savages religion, their state, while the notion of the family that is nuclear.

Preceded by: New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework rate, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life on the planet became so wonderful that only prisoners can be used for the dangerous company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for an apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he’s welcomed by the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of their infant daughter, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts make an effort to produce a fresh, flexible battle of humans. an apparently ordinary item regarding the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature http://bestbrides.org/asian-brides/ that is bold, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears back again to a more ancient misconception of creation and morality.

Preceded by: brand brand New restoration that is digital Gal additionally the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter because of the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s final movie can be a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an musician whom devoted their profession to lobbing grenades in the machinery of totalitarian political corruption. Sunday, September 8, 6:00pm

Brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark that may deliver them from their living hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to push away collapse that is total. Employed in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false promises of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

Brand brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless television newscaster Iron Idem (Roman Wilhelmi) whilst the vocals of these 1984 -esque propaganda device. But once Iron dares to set off message, he makes an enemy also higher than the aliens: the state it self. Released in the same way Poland was being plunged into martial law and instantly prohibited, The War associated with Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and media manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm